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= 7.4 10 3 cm/s (b) The initial dissolution rate corresponds to the case where [A] = 0 and can now be calculated with eq. (10-17) as follows. ap = 6 5 10 2 = 3.5 cm2 /cm3 2.66 3.24 10 2

=IF(OR($C31<D$23,$C31>D$24,D$23= ),#N/A,OFFSET(INDIRECT(D$16,FALSE),$B31+$C$2 8-D$25-2,$C$26-1))

The Save to Remote Server feature can also be used to move a file from one site to another. Instead of choosing a server connection from the Save File dialog, select a previously defined site. Selecting the site opens the remote server for the selected site.

You don t have to use comments, but if you re starting to build a complex Web space that offers many documents, just time stamping each file could prove to be invaluable. Me I sometimes put jokes in my Web pages as comments, just to see if people ever view the source!

Understanding the Difference between Blends and Gradients ...........................................415 Creating Path Blends .........................................................................................................417 Defining Linear Blends ......................................................................................................418 Working with Blend Options ............................................................................................420 Using the Blend option............................................................................................420 Blending multiple objects ........................................................................................421 Editing a blended object..........................................................................................421 Releasing a blend.....................................................................................................422 Expanding blends ...................................................................................................422 Replacing the spine .................................................................................................422 Reversing the spine .................................................................................................424 Reversing front to back............................................................................................424 Using nonlinear blends ...........................................................................................425 Finding end paths for linear blends ........................................................................427 Calculating the number of steps ..............................................................................428 Creating radial blends .............................................................................................429 Making a Color Blend .......................................................................................................431 Using multiple colors with linear blends ................................................................431 Using guidelines for creating color linear blends .....................................................432 Creating Shape Blends ......................................................................................................433 Complex-shape blending.........................................................................................433 Creating realism with shape blends .........................................................................434 Blending symbols ....................................................................................................436 Blending envelopes .................................................................................................438 Blending 3-D objects ...............................................................................................438 Airbrushing shadows...............................................................................................441 Creating glows ........................................................................................................442 Softening edges .......................................................................................................442 Designing neon effects ............................................................................................444 Using Compound Paths ....................................................................................................446 Creating compound paths .......................................................................................446 Releasing compound paths .....................................................................................447 Understanding holes ...............................................................................................448 Overlapping holes ...................................................................................................448 Creating compound paths from separate sets of paths .............................................449 Working with type and compound paths ................................................................450 Finding Path Directions ....................................................................................................451 Figuring out which way to go..................................................................................452 Reversing path directions ........................................................................................452 Faking a compound path ........................................................................................454 Using Clipping Masks .......................................................................................................454 Creating masks ........................................................................................................455 Masking raster images .............................................................................................455

While it s not under the Creative category, the Resize Selected Objects command is a great tool for fine-tuning your creative masterpieces. Although Fireworks scaling facilities work well for general adjustments, it s often difficult to rescale an element

(i) Wash in adhesion assay medium by centrifugation for 10 min at 620 g and resuspend in adhesion medium at 2000 cells/mL (4000 cells).

Multiple-byte data can be shifted by including the carry flag in the individual shift instruction. For example, the sla instruction shifts data left one position and shifts the carry flag into LSB. The code for shifting a 3-byte data left can be written as

Extremely desaturated color can imply bleakness or depression. Black and white has a very different feel in live action as opposed to animation, but it's still interesting to consider its uses. It bucks the tradition of vivid, full color animation.

Figure 20-4: With the results from the Dynamic Table Application object, you simply change the basic table formatting and the table headings, and you re done. The six Show Region server behaviors are as follows: Show Region If Recordset Is Empty Show Region If Recordset Is Not Empty Show Region If First Record Show Region If Not First Record Show Region If Last Record Show Region If Not Last Record

Function Name Get(RecordModificationCount) Get(RecordNumber) Get(RecordOpenCount) Get(RecordOpenState)

The only essential settings when configuring your connection to a SQL database are a valid System DSN and a name to identify the external source within FileMaker. (It can be the same as the DSN name if you want.) You will, of course, need a valid username and password to access the SQL host. However, you have the choice of being prompted to authenticate for every connection or to save the authentication details when creating the connection.

All of the currently available ColdFusion features that support integration with Flex client applications were first introduced in ColdFusion version 7.02. With the exception of the event gateway used to integrate Flex applications with the Message Service, all of the features described in this chapter work equally well with ColdFusion 7.02 or later. n